![]() Right from the beginning, there’s an expert level of depth added to Scream VI’s 3D conversion. Ghostface slowly stalking some of Scream’s survivors on a subway train looked like the optimal scene that could prove whether or not the depth of the picture was manipulated to an exciting extent. Beyond The Window - 5/5Īdmittedly, when I heard there was going to be a 3D version of this movie, my thoughts immediately turned to the Scream VI teaser trailer. If there’s a Scream VII and this premium format is considered again (as it should be), this is probably where the largest improvements can be had. ![]() The bodega attack and the final standoff in the final act are the big standouts in this factor, and if you had problems believing Ghostface with a shotgun, the 3D version will make you a believer. Still, not having at least one Ghostface knife slash feel like it's coming right at you feels like a minor, non-deal breaking disappointment. It's mostly guns that point out of the screen, which is probably the second most frequent weapon of choice in the Scream series. I really wanted more thrilling elements breaking out in the Before The Window factor, but what we do get is rather nice. If you can’t feel Ghostface stabbing towards you with a trusty knife, or in the case of Scream VI, aiming a newly acquired shotgun in the audience, then what’s the point? This is the number one field Scream fans are probably keeping their eyes on when it comes to the fifth sequel’s finished 3D product. ![]() For a non-native 3D experience, DNeg has yet again pulled through with a fantastic effort. I say that’s strange because conversion/effects house DNeg was not only behind Bond’s big foray in the third dimension, but they were also the masterminds behind this Scream of a time. Strangely enough, when I had heard that this movie was going to 3D, the first thing that came to mind was No Time To Die’s surprisingly good conversion.
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